Actor — Jason Peck

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“[Jason Peck] delivers an emotionally wild, roller-coaster-ride of a performance that gets under your skin, slaps you in the face, pisses you off and makes you want to get up from your seat and punch him very hard in the stomach . . ."

Connecticut Critics Circle (God of Carnage, Greenwich Theatre Company)
“… perhaps the biggest surprise of the evening comes from Jason Peck who, in his brutally honest portrayal of Wayne, managed to outshine the Oscar-nominated [Bruce] Davison.”

KCRW: Theatre Talk (Looking for Normal, Mark Taper Forum)
“in the audience's face from first moment to last . . . Peck's Bobby is great, showing the right amount of cocksureness early and unease later as Karen challenges his mind-set. His fear as he sees the cost of holding to principles is palpable.”

Sarasota Herald-Tribune (Speed-the-Plow , Asolo Rep)
“emblematically executed . . .[Caryl] Churchill moves from Pinter to Kafka . . . the playing is superb . . . Peck is impeccable”

Los Angeles Times (Far Away, Odyssey Theatre Ensemble)
“a top notch cast . . . especially the effusive Peck . . . it is rare to find this much talent on one stage”

Back Stage West (suburbia, Actor’s Gang Theatre)
“Jason Peck makes his Thrown Stone acting debut in a powerful and stunning way”

Hamlet Hub (Where All Good Rabbits Go, Thrown Stone Theatre Company)
“… but as good as the other actors are, Jason Peck steals the show with his outrageous antics as he plays dozens of characters-innocents and villains alike . . . when it comes to cutting the fool Peck compares favorably to the comedy teams of Laurel and Hardy and Abbot and Costello. His monkey business helped the production earn a standing ovation on opening night.”

Triangle Arts and News Entertainment (The 39 Steps, Theatre Raleigh)
"a relevant, riveting, and, relentless psychological thriller . . . a master class in naturalistic acting . . . Peck deftly depicts a fully-realized, three-dimensional character reminding us that there are varying degrees of evil in this world and that human beings are complex."

Miami ArtZine (We Will Not Be Silent, GableStage)
"Jason Peck is chilling in his portrayal of a corporate bigwig who will stop at nothing to ensure schools censor the teaching of history to support his financial investments. Moments later, Peck is hilarious as a suburban father who risks a heart attack to befriend and influence Forsyth on a neighborhood run."

Florida Theatre On Stage (What’s Best for the Children?, TheatreLab)

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“[Jason Peck] delivers an emotionally wild, roller-coaster-ride of a performance that gets under your skin, slaps you in the face, pisses you off and makes you want to get up from your seat and punch him very hard in the stomach . . ."

“… perhaps the biggest surprise of the evening comes from Jason Peck who, in his brutally honest portrayal of Wayne, managed to outshine the Oscar-nominated [Bruce] Davison.”

“in the audience's face from first moment to last . . . Peck's Bobby is great, showing the right amount of cocksureness early and unease later as Karen challenges his mind-set. His fear as he sees the cost of holding to principles is palpable.”

“emblematically executed . . .[Caryl] Churchill moves from Pinter to Kafka . . . the playing is superb . . . Peck is impeccable”

“a top notch cast . . . especially the effusive Peck . . . it is rare to find this much talent on one stage”

“Jason Peck makes his Thrown Stone acting debut in a powerful and stunning way”

"a relevant, riveting, and, relentless psychological thriller . . . a master class in naturalistic acting . . . Peck deftly depicts a fully-realized, three-dimensional character reminding us that there are varying degrees of evil in this world and that human beings are complex."

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